jump to navigation

Small Press Showcase October 24, 2011

Posted by Carolyn Burns Bass in classics, creative non-fiction, literary fiction, memoir, narrative nonfiction, poetry, small presses.
add a comment

It’s that time of year again. Once annually #litchat features a week of discussion led by publishers, editors and authors of independent presses. These are the rebels of publishing, the audacious leaders willing to produce books that the big houses won’t touch for a myriad of reasons. Independent, small presses often operate on a shoestring budget, with more vision than provision. What keeps independent presses rolling in this age of literary plenty? What types of manuscripts are they looking to publish? How do they position themselves between the big houses and the start-ups whose only authors are themselves? Will Amazon’s new publishing empire affect legitimate small presses? These questions and others will come up this week during Small Press Showcase.

Monday, October 24: Engine Books
Victoria Barrett, publisher/editor

Established in January of this year by Victoria Barrett, Engine Books is a boutique fiction press publishing novels, short story collections, collected novellas, and related volumes. Barrett is a writer, editor, and professor whose fiction has appeared in Colorado Review, Massachusetts Review, You Must Be This Tall to Ride, and Confrontation. Her career as an editor began at Puerto del Solwhere editor Kevin McIlvoy called her “the most significant managing editor” in the journal’s history. Her work there trained her to read fiction submissions on their own terms, rather than see them through the lens of her own aesthetic preferences.

This work continues at Freight Stories, where she and co-editor Andrew Scott have published the work of finalists for the National Book Award and Pulitzer Prize, bestsellers, and long-seasoned authors alongside emerging authors, some of whom saw in Freight Stories their first publication. The wide variety of styles and forms published in FS speak to Barrett’s enthusiasm for all kinds of fiction.

Engine Books seeks to publish four titles each year, ensuring full attention to the editing, production, and promotion of each title.

Follow Engine Books on Twitter: @enginebooks.

Wednesday, October 26: Press 53
Valerie Nieman, author
Kevin Watson, editor/publisher

Press 53 is an independent publisher of literary fiction, poetry, and nonfiction that was founded in October 2005 by Kevin Morgan Watson, who serves as Fiction & Poetry Editor; Tom Lombardo is Poetry Series Editor (Tom Lombardo Poetry Selections); Robin Miura is Novel/Memoir Editor (Robin Miura Novel and Memoir Selections); and Sarah Elizabeth Younger, who serves as eBook editor.

Press 53 is located in Winston-Salem, North Carolina in the Community Arts Cafe building at Fourth & Spruce. They publish full-length books by established writers. In addition to finding and showcasing new writers in our Press 53 Open Awards Anthology, and established writers in our short story and poetry collections, novels, and creative nonfiction books, we also have a fondness for bringing back great books that are out of print, which we re-issue under our Press 53 Classics imprint.

Follow Press 53 on Twitter: @Press53.

Kevin Morgan Watson is founder of Press 53 and serves as editor in chief with a special focus on short stories and poetry. As a publisher, he has worked with writers ranging from first-time published authors to winners of the National Book Award and Pulitzer Prize. As a writer, his short stories, poetry, and essays have appeared in numerous publications, including the 2002 TallGrass Writers Guild/Outrider Press anthology Take Two—They’re Small, where his short story “Sunny Side Up” won first prize. Kevin also serves as an advisor for student adaptation of short stories to screenplays with the screenwriting faculty at the University of North Carolina School of the Arts, School of Filmmaking in Winston-Salem, NC.

Follow Kevin Watson on Twitter: @Press53.

Valerie Nieman, author of Blood Clay has also published a collection of short stories, Fidelities, from West Virginia University Press, and a poetry collection, Wake Wake Wake. She has received an NEA creative writing fellowship, two Elizabeth Simpson Smith prizes in fiction, and the Greg Grummer Prize in poetry. A native of Western New York State, she graduated from West Virginia University and the M.F.A. program at Queens University of Charlotte. She teaches writing at N.C. A&T State University and is the poetry editor for Prime Number Magazine.

Follow Valerie Nieman on Twitter: @ValNieman.

Friday, October 28: The Overlook Press
Frances Hill, author 

The Overlook Press is an independent general-interest publisher, founded in 1971. The publishing program consists of nearly 100 new books per year, evenly divided between hardcovers and trade paperbacks. The list is eclectic, but areas of strength include interesting fiction, history, biography, drama, and design.

The house was launched by owner Peter Mayer as a home for distinguished books that had been ”overlooked” by larger houses. At the time Mayer was at the helm of one of them, Avon, and would go on to a twenty-year tenure at Penguin, which he eventually headed as well. He joined with his father Alfred, a retired glove manufacturer, to nurture Overlook Press, supervising business from Manhattan in his off hours, while Fredy ran the upstate operation, picturesquely housed in an old apple shed on Overlook Mountain in Woodstock.

Another cherished mission is to revive and bring to new audiences classic books and authors. We are renowned for our stylish editions of the works of P.G. Wodehouse, as well as bringing back the beloved Freddy the Pig series by Walter R. Brooks. In addition, they have just completed new paperback editions of fiction by Joseph Roth, one of literature’s modern masters. In 2002 the Overlook Press acquired Ardis, the premier publisher of Russian literature in English. More recently the Overlook elephant has spread its wings across the Atlantic to take under new ownership the 106-year-old company Duckworth.

Follow the Overlook Press on Twitter: @overlookpress.

Author of Outlook Press’s recently published novel Deliverance from EvilFrances Hill was born in London in 1943 and went to Keele University, Staffordshire, where she obtained a BA Honours degree in English Literature and Philosophy. For many years she was the radio critic for the TES as well as a fiction reviewer and obituary writer for The Times and feature writer for many other publications including The Times Higher Education Supplement, The Guardian and The Spectator. Her first novel, Out of Bounds, was published by John Murray in 1985 and was followed by a second novel, A Fatal Delusion (John Murray), in 1989. In 1992 she began work on her acclaimed account of the Salem witch trials, A Delusion of Satan, which was published by Doubleday in New York in 1995 and Hamish Hamilton in London in 1996. A new edition with a new preface appeared in 2002. Her second book on the Salem witch trials, The Salem Witch Trials Reader, was published by da Capo in 2000 and her third book on the same subject, Hunting for Witches, A Visitor’s Guide to the Salem Witch Trials, was published by Commonwealth Editions in 2002. Such Men Are Dangerous, The Fanatics of 1692 and 2004 was published by Upper Access in March 2004. Frances Hill lives in London but visits the U.S. regularly, spending every summer in Connecticut.


Legends to Life September 26, 2011

Posted by Carolyn Burns Bass in animals, biography, narrative nonfiction, non-fiction.
add a comment

Susan Orlean

What do Jacqueline Kennedy Onassis, Mahatma Gandhi, Joe DiMaggio and Rin Tin Tin have in common? Each of these legendary figures has a new biography published in 2011. Humans are curious creatures. We want to know about the world around us and that world is populated with characters of glamorous intrigue, humanitarian insight, physical prowess, and doggone greatness. Biographies crack the curtains and allow us to peer into the world of fascinating people and legendary characters. This week in #litchat we’re discussing Legends to Life.

On Friday, September 30, #litchat welcomes Susan Orlean, the award-winning author of numerous nonfiction narratives, including The Orchid Thief, the book that inspired Charlie Kaufman and Spike Jonze’s brilliant film, Adaptation. Her most recent book, Rin Tin Tin, is a biography of the legendary canine who captured hearts around the world during the early years of film and held them through the emergence of television, and beyond.

Orlean’s personal fascination with Rin Tin Tin began began with the forbidden, a plastic figurine of Rin Tin Tin shelved in her grandfather’s office. An animal lover and pop culture flâneur, Orlean digs into the legend behind the dog to discover that Rin Tin Tin is more than just a legend, he’s immortal. Kind of. The original Rin Tin Tin, a German shepherd puppy found by American soldier Lee Duncan in a bomb-blasted kennel in France died at the age of 13 years. Through Orlean’s meticulous research and savvy observation, we meet an extraordinary dog and his best friend, the man who could never let Rin Tin Tin die. Fused into the story of the man and the dog is the fascinating history of film and television, the development of modern pet culture, the near obsessive devotion to keeping the legend and the bloodline of Rin Tin Tin alive and the legal wrangling tied into it all. Rin Tin Tin is not a book about a dog, but an epic tale about foundlings and heroes of different shapes and sizes.

Susan Orlean has been a staff writer for The New Yorker since 1992, and has contributed articles to Vogue, Rolling Stone, Esquire, and Outside. Originally from Cleveland, she graduated from the University of Michigan in Ann Arbor, and lives with her family and animals in upstate New York as well as Los Angeles.

Follow Susan Orlean on Twitter: @SusanOrlean.

True Crime and Art March 8, 2010

Posted by Carolyn Burns Bass in narrative nonfiction, true crime.
add a comment

Topic of the Week: March 8-12, 2010

Joining us a guest host of LitChat on Friday, March 12 is Elyssa East, author of Dogtown. When East traveled to the area of coastal Massachusetts known as Dogtown to research work by the painter Marsden Hartley, she found more than just the story of an artist’s renewal among glacier stones and wilderness. An area rife with legends of witches, pirates, ghosts and other miscreants, East discovered the tale of a grisly 1984 murder that still lives in the imagination of local residents. East’s skillful interweaving of true crime narrative with chapters about local lore, history and the artist Marsden Hartley make Dogtown a book that defies category.

Elyssa East received her B.A. in art history from Reed College and her M.F.A. in creative writing from Columbia University’s School of the Arts, where she was the recipient of three prestigious fellowships: the Susan G. Hertog Research Assistantship, a Departmental Research Assistantship, and a Writing Division Merit Fellowship. Her Master’s thesis—a draft of the Dogtown manuscript—won an M.F.A. Faculty Selects award. Elyssa has received additional awards and fellowships from the Ragdale, Jerome, and Ludwig Vogelstein Foundations; the University of Connecticut; and the Phillips Library.

Elyssa’s writing has been published in The New York Times, The Dallas Morning News, The Brooklyn Rail, Guernica, Mr. Beller’s Neighborhood, and various New England regional magazines. A scene from Elyssa’s opera libretto, Mr. Hawthorne’s Engagement, was performed with American Opera Project’s Composers and the Voice series. Elyssa created Columbia University’s Artists’ Resource Center and ran KGB Bar’s Columbia University Faculty Selects Reading Series for three years. Additionally she has worked as a nonfiction reviews editor at Publisher’s Weekly; the Managing Director of the Maine Summer Dramatic Institute and Executive Producer of Shakespeare in Deering Oaks Park in Portland, Maine; a baker; an archaeologist’s assistant; and a dump-truck driver.

Follow East on Twitter at @elyssaeast.