Special Guest Host: Adam Mansbach December 8, 2011
Posted by Carolyn Burns Bass in Books Are Great Gifts, non-fiction.Tags: Adam Mansbach
add a comment
We’re thrilled to have Adam Mansbach join us in the #litchat virtual salon on Friday, December 9, 4-5 p.m. ET, to complete this week’s topical discussion of gift and holiday books. Mansbach’s most recent book, Go the F**k to Sleep, is a #1 New York Times bestseller, and one of the most talked-about books of the decade. A viral sensation that shot to #1 on Amazon.com months before the book was even available, it has been published in more than thirty languages, and is forthcoming as a feature film from Fox 2000.
Mansbach’s last novel, The End of the Jews, won the 2008 California Book Award and was long-listed for the IMPAC-Dublin Prize. His previous novel, Angry Black White Boy, was a San Francisco ChronicleBest Book of 2005; it is taught at more than eighty universities and has been adapted into a prize-winning stage play.
He is also the author of the novel Shackling Water, the poetry collection genius b-boy cynics getting weeded in the garden of delights, and A Fictional History of the United States With Huge Chunks Missing, an anthology of original short stories which he co-edited with T Cooper.
An inaugural recipient of the Ford Foundation’s Future Aesthetics Artist Grant, Mansbach is the 2009-2011 New Voices Professor of Fiction at Rutgers University. The founding editor of the pioneering 1990s hip hop journal Elementary, his fiction and essays have appeared in The New York Times Book Review,New York Times Sunday Magazine, Esquire, GQ, The Times of London, The Believer, N+1, The Los Angeles Times, and on National Public Radio’s All Things Considered.
Mansbach’s forthcoming projects include a graphic novel, Nature of the Beast, and two novels, Rage is Back (Viking, 2013) and The Dead Run (Morrow, 2013). He lives in Berkeley, California, and is a frequent lecturer on college campuses across the country.
Follow Adam Mansbach on Twitter: @adammansbach
Books Are Great Gifts – 2011 December 5, 2011
Posted by Carolyn Burns Bass in Books Are Great Gifts.add a comment
We’re well into December and everywhere you go you’re barraged with messages about merchandise and services to buy during the holidays. While the commercial aspects of the holidays can wear a person down, there’s a reason behind the message: Giving.
Books make great gifts. Since we began in 2009, LitChat has devoted the month of December to promoting the cause of supporting the literary community–authors, publishers, bookstores–and delighting our friends and relatives with the gift of books.
Each year we have held an auction of books signed and donated by authors. This is a unique book auction, as it takes place entirely through Twitter. All funds go directly to a children’s literacy charity, this year’s beneficiary is Reader to Reader. You can learn more about previous year’s auction here. We are delighted this year to place the books of 17 authors on the Twitter auction block, beginning this Friday, December 9, from 6-11 p.m. ET. You may download a copy of the 2011 BAGG Auction Catalog.
We’ll be talking about holiday books and favorite gift books this week during our moderated chats through #litchat on Twitter on Monday, Wednesday and Friday at 4 p.m.
You can show your support for giving books as gifts by adding a Twibbon to your Twitter and/or Facebook profile.
New this year is #litchatpicks2011, a hashtag we’ve generated for you to post your favorite books released in 2011. These don’t have to be the big books, the highbrow award winners, the critically acclaimed books, but your favorite books. The ones you tell all of your friends about. The ones you’ll read again. The ones you’ll give as gifts.
We’ll archive the #litchatpicks2011 feed, but we’ll also glean the top 10 #litchat picks and post the list in January.
Wishing you a festive holiday season.
Dystopian Literature November 28, 2011
Posted by Carolyn Burns Bass in coming-of-age, science fiction, weekly topics, YA fiction.Tags: Marie Lu
1 comment so far
Stories of a grim future weren’t a new concept when Cormac McCarthy won the 2007 Pulitzer for The Road. The slant of a future not shiny with hope, but spoiled and shattered into a bleak landscape of struggle and survival are time-worn concepts within literature. Does the abundance of dystopian literature published and read today reflect a grave outlook for the world community? Or is it just another literary trend that will peak and slide back into a sub-category of science fiction? We’ll ask these questions and others this week in #litchat.
Marie Lu, Friday’s #litchat guest host, is something of a phenomena. Born in Shanghai, raised in Texas, and educated at USC, 27-year-old Lu has already achieved what many writers struggle for years to achieve. Her debut novel, Legend is the first in a trilogy of dystopian YA novels. Film rights to Legend have been sold and screenwriters are already at work adapting the first novel into a screenplay.
Legend is the story of two opposing characters, June and Day, thrown together in what was once the western United States and now home to the Republic, a nation perpetually at war with its neighbors. Born into an elite family in one of the Republic’s wealthiest districts, fifteen-year-old June is a prodigy being groomed for success in the Republic’s highest military circles. Born into the slums, fifteen-year-old Day is the country’s most wanted criminal. But his motives may not be as malicious as they seem. From very different worlds, June and Day have no reason to cross paths – until the day June’s brother, Metias, is murdered and Day becomes the prime suspect. Caught in the ultimate game of cat and mouse, Day is in a race for his family’s survival, while June seeks to avenge Metias’s death. But in a shocking turn of events, the two uncover the truth of what has really brought them together, and the sinister lengths their country will go to keep its secrets.
Before she started writing full time, Lu was the art director at a video game company. She also owns the business and brand Fuzz Academy, which was chosen by C21Media as one of the International Licensing Expo 2010′s brands with the most potential for a TV series. After graduating from USC in ’06, the California weather sweet-talked her into sticking around. She currently lives in Pasadena with her boyfriend, two Pembroke Welsh Corgis, and a chihuahua mix.
View the video trailer for Legend.
Follow Marie Lu on Twitter: @MarieLu.
Holiday Break November 21, 2011
Posted by Carolyn Burns Bass in fantasy, weekly topics, YA fiction.add a comment
We are taking off the week of November 21-28, 2011 the first of our holiday breaks. We will return on November 25 for a topic on YA fantasy with Marie Lu, author of Legend. We’ll break again from December 19-30, then resume a brand new year of literary discussion as we celebrate the third anniversary of #litchat during the week of January 2-6, 2012.
Facing Down the Fear in Writing November 6, 2011
Posted by Carolyn Burns Bass in YA fiction.add a comment
Writing takes courage. Ideas for stories, characters, topics may populate a writer’s mind, but the fear of getting those ideas out of the head and onto a page can strangle a writer. What fears do writers encounter most, where do they come from, and how do successful writers face down the fear?
Award-winning author A.S. King returns to #litchat on Friday, November 11, to discuss fearless writing. Her third novel, Everybody Sees the Ants, released in October of this year, is a Junior Library Guild Selection, and her second novel, Please Ignore Vera Dietz, is a Michael L. Printz Honor Book. Her first novel, The Dust of 100 Dogs, was an ALA Best Book for Young Adults, an Indie Next pick and a Cybil award finalist. All three of King’s YA novels feature protagonists who battle personal demons and overcome tremendous adversity.
In Everybody Sees the Ants we meet Lucky Linderman, a kid bullied throughout his life whose dream life provides the key to his release. Drawn in between the lines of Lucky’s tale is a thread that connects his father’s personal struggles with his grandfather going missing in Laos during the Vietnam War. Lucky’s second life in the dreamland jungle of his grandfather’s prison and its magical seep into his real life becomes the impetus that changes his life and brings answers to his family.
A.S. King has divided herself between self-sufficiency, teaching adult literacy, and writing novels. She has also been a rare poultry breeder, photographer, master printer, contractor, summer camp counselor, pizza delivery driver and, for a week or two, a complete loser who did nothing at all. Her short fiction for adults has been widely published and was nominated for Best New American Voices 2010. Amy now lives in Pennsylvania with her husband and children and is a huge fan of Kurt Vonnegut, corn on the cob, nice weather, libraries, her community swimming pool, and fleece socks.
Follow A.S. King on Twitter: @as-king.
Three’s A Crowd October 31, 2011
Posted by Carolyn Burns Bass in literary fiction, women's fiction.Tags: Gwendolen Gross
add a comment
It begins in grade school, the adage “two’s company, three’s a crowd.” The refrain follows through adolescent rivalry for best friends, into the dating arenas of high school and college, and even into the competitive cubicles and offices of the professional world. It’s a common and fertile theme for artistic exploration, the canon of literature abounding with examples. This week in #litchat we’ll discuss books which feature themes leading to “three’s a crowd.”
This Friday’s guest host in #litchat, Gwendolen Gross, has explored this theme from a fresh and intriguing angle. Her latest novel, The Orphan Sister, is the story of triplet daughters born to a mercurial father and Stepford-like mother. Two of the twins are identical, leaving the odd one out to narrate what it’s like being the third wheel in a perfectly balanced family of pairs. The identicals, Olivia and Odette, given the O names after their polished and perfect mother Octavia, share the secret language of twins and are such mirror images they each follow their father into medicine, one becomes an ob-gyn, the other a pediatrician. They marry at the right time, to the right men, become pregnant within weeks of each other, and give birth to perfect babies. Clementine, the singleton within the triplets, shares a low-voltage intuition with her womb-mates, yet is conflicted with cravings for the intimacy of twinness and the individuality of marching to her own tune.
When the triplets’ father goes missing, leaving only the number of a lawyer behind, the story reveals another thread of odd-man out that threatens to unravel the tight-knit family. Layered between the triplet’s ongoing anxiety over their father’s disappearance, is Clementine’s internal struggle with self-confidence, rivalry with her sisters, hunger for approval from her father, the death of her first true love and why she has problems with love and commitment.
Gwendolen Gross grew up in Newton, Mass. She graduated from Oberlin College, where she studied science writing and voice performance. She spent a semester in Australia with a field studies program, studying spectacled fruit bats in the rainforest remnants of Northern Queensland. After college, she moved to San Francisco, then San Diego, and worked in publishing, as well as performing with the San Diego Opera Chorus. Through the San Diego Writing Center, she was selected for the PEN West Emerging Writers Program. Gross received an M.F.A. in fiction and poetry from Sarah Lawrence College. Her poems have been published in dozens of literary magazines, and won the 1999 Adrienne Lee Award.
Her first novel, Field Guide, was issued by Henry Holt in April 2001 (Harvest paperback 2002), and her second, Getting Out, in spring 2002. These two women’s adventure fiction novels received critical acclaim. She then shifted her focus to the dramas of motherhood. with her third novel, The Other Mother (Random House, 2007).
An award-winning writing instructor, Gross has led workshops at Sarah Lawrence College and the UCLA Extension online. Gross has worked as a snake and kinkajou demonstrator, naturalist, opera singer, editor, and mom. She lives in northern New Jersey with her family.
Small Press Showcase October 24, 2011
Posted by Carolyn Burns Bass in classics, creative non-fiction, literary fiction, memoir, narrative nonfiction, poetry, small presses.add a comment
It’s that time of year again. Once annually #litchat features a week of discussion led by publishers, editors and authors of independent presses. These are the rebels of publishing, the audacious leaders willing to produce books that the big houses won’t touch for a myriad of reasons. Independent, small presses often operate on a shoestring budget, with more vision than provision. What keeps independent presses rolling in this age of literary plenty? What types of manuscripts are they looking to publish? How do they position themselves between the big houses and the start-ups whose only authors are themselves? Will Amazon’s new publishing empire affect legitimate small presses? These questions and others will come up this week during Small Press Showcase.
Monday, October 24: Engine Books
Victoria Barrett, publisher/editor
Established in January of this year by Victoria Barrett, Engine Books is a boutique fiction press publishing novels, short story collections, collected novellas, and related volumes. Barrett is a writer, editor, and professor whose fiction has appeared in Colorado Review, Massachusetts Review, You Must Be This Tall to Ride, and Confrontation. Her career as an editor began at Puerto del Sol, where editor Kevin McIlvoy called her “the most significant managing editor” in the journal’s history. Her work there trained her to read fiction submissions on their own terms, rather than see them through the lens of her own aesthetic preferences.
This work continues at Freight Stories, where she and co-editor Andrew Scott have published the work of finalists for the National Book Award and Pulitzer Prize, bestsellers, and long-seasoned authors alongside emerging authors, some of whom saw in Freight Stories their first publication. The wide variety of styles and forms published in FS speak to Barrett’s enthusiasm for all kinds of fiction.
Engine Books seeks to publish four titles each year, ensuring full attention to the editing, production, and promotion of each title.
Follow Engine Books on Twitter: @enginebooks.
Wednesday, October 26: Press 53
Valerie Nieman, author
Kevin Watson, editor/publisher
Press 53 is an independent publisher of literary fiction, poetry, and nonfiction that was founded in October 2005 by Kevin Morgan Watson, who serves as Fiction & Poetry Editor; Tom Lombardo is Poetry Series Editor (Tom Lombardo Poetry Selections); Robin Miura is Novel/Memoir Editor (Robin Miura Novel and Memoir Selections); and Sarah Elizabeth Younger, who serves as eBook editor.
Press 53 is located in Winston-Salem, North Carolina in the Community Arts Cafe building at Fourth & Spruce. They publish full-length books by established writers. In addition to finding and showcasing new writers in our Press 53 Open Awards Anthology, and established writers in our short story and poetry collections, novels, and creative nonfiction books, we also have a fondness for bringing back great books that are out of print, which we re-issue under our Press 53 Classics imprint.
Follow Press 53 on Twitter: @Press53.
Kevin Morgan Watson is founder of Press 53 and serves as editor in chief with a special focus on short stories and poetry. As a publisher, he has worked with writers ranging from first-time published authors to winners of the National Book Award and Pulitzer Prize. As a writer, his short stories, poetry, and essays have appeared in numerous publications, including the 2002 TallGrass Writers Guild/Outrider Press anthology Take Two—They’re Small, where his short story “Sunny Side Up” won first prize. Kevin also serves as an advisor for student adaptation of short stories to screenplays with the screenwriting faculty at the University of North Carolina School of the Arts, School of Filmmaking in Winston-Salem, NC.
Follow Kevin Watson on Twitter: @Press53.
Valerie Nieman, author of Blood Clay has also published a collection of short stories, Fidelities, from West Virginia University Press, and a poetry collection, Wake Wake Wake. She has received an NEA creative writing fellowship, two Elizabeth Simpson Smith prizes in fiction, and the Greg Grummer Prize in poetry. A native of Western New York State, she graduated from West Virginia University and the M.F.A. program at Queens University of Charlotte. She teaches writing at N.C. A&T State University and is the poetry editor for Prime Number Magazine.
Follow Valerie Nieman on Twitter: @ValNieman.
Friday, October 28: The Overlook Press
Frances Hill, author
The Overlook Press is an independent general-interest publisher, founded in 1971. The publishing program consists of nearly 100 new books per year, evenly divided between hardcovers and trade paperbacks. The list is eclectic, but areas of strength include interesting fiction, history, biography, drama, and design.
The house was launched by owner Peter Mayer as a home for distinguished books that had been ”overlooked” by larger houses. At the time Mayer was at the helm of one of them, Avon, and would go on to a twenty-year tenure at Penguin, which he eventually headed as well. He joined with his father Alfred, a retired glove manufacturer, to nurture Overlook Press, supervising business from Manhattan in his off hours, while Fredy ran the upstate operation, picturesquely housed in an old apple shed on Overlook Mountain in Woodstock.
Another cherished mission is to revive and bring to new audiences classic books and authors. We are renowned for our stylish editions of the works of P.G. Wodehouse, as well as bringing back the beloved Freddy the Pig series by Walter R. Brooks. In addition, they have just completed new paperback editions of fiction by Joseph Roth, one of literature’s modern masters. In 2002 the Overlook Press acquired Ardis, the premier publisher of Russian literature in English. More recently the Overlook elephant has spread its wings across the Atlantic to take under new ownership the 106-year-old company Duckworth.
Follow the Overlook Press on Twitter: @overlookpress.
Author of Outlook Press’s recently published novel Deliverance from Evil, Frances Hill was born in London in 1943 and went to Keele University, Staffordshire, where she obtained a BA Honours degree in English Literature and Philosophy. For many years she was the radio critic for the TES as well as a fiction reviewer and obituary writer for The Times and feature writer for many other publications including The Times Higher Education Supplement, The Guardian and The Spectator. Her first novel, Out of Bounds, was published by John Murray in 1985 and was followed by a second novel, A Fatal Delusion (John Murray), in 1989. In 1992 she began work on her acclaimed account of the Salem witch trials, A Delusion of Satan, which was published by Doubleday in New York in 1995 and Hamish Hamilton in London in 1996. A new edition with a new preface appeared in 2002. Her second book on the Salem witch trials, The Salem Witch Trials Reader, was published by da Capo in 2000 and her third book on the same subject, Hunting for Witches, A Visitor’s Guide to the Salem Witch Trials, was published by Commonwealth Editions in 2002. Such Men Are Dangerous, The Fanatics of 1692 and 2004 was published by Upper Access in March 2004. Frances Hill lives in London but visits the U.S. regularly, spending every summer in Connecticut.
Therapeutic Literature October 17, 2011
Posted by Carolyn Burns Bass in women's fiction.Tags: Deanna Roy
add a comment
Therapists have long prescribed writing as a means of understanding and eventually overcoming personal crises. Roman a clef novels, those novelographies that mask real life events through fictional characters and settings, sometimes arise from an author’s need to understand the feelings that events provoke. Some therapeutic writing in journals, have evolved into published memoirs of great respect. This week in #litchat we’re going to discuss the value, methods and benefits of reading and writing through difficult times.
Friday’s guest host, Deanna Roy, understands the value of therapeutic literature, both as a reader and a writer. After suffering her first miscarriage, Roy began a website, www.pregnancyloss.info, to connect with other women who share this bewildering experience. Miscarriage and other types of fetal death are topics most people are uncomfortable talking about, often because of the misunderstood value of the unborn. Women who experience miscarriages often return to work only days afterwards with barely a nod or note of concern for their loss. Drawing from the stories of thousands of women, Roy set out to write a novel that would lift the cloaking taboo from miscarriage. Her novel, Baby Dust, throws five women in different stages of life, culture, and economic conditions, into a pregnancy loss support group where they share, uplift and counsel one another through more than just the loss of a baby. While her characters may seem melodramatic in their reactions to their losses, many women who have endured a failed pregnancy—and the men who stood beside them—will see something of their own experience in Baby Dust.
Watch the Baby Dust trailer here.
Deanna Roy’s stories have appeared in several literary magazines, including 34th Parallel,Farfelu, and The First Line. Her writing credits are lengthy due to her background in journalism and freelance, but one of her favorite articles is a humorous piece about skydiving, published by The Writer in March 2009. She’s been a waitress, a free-sample girl, backstage security for a concert venue (please don’t ask about the time she threw R.E.M. off the elevator and made them late to their own concert) , a high school teacher, an editor for a publishing company, and now, a professional photographer and instructor at the University of Texas.
Follow Deanna Roy on Twitter: @DeannaRoy
Immortality October 10, 2011
Posted by Carolyn Burns Bass in bestsellers, paranormal.Tags: Alma Katsu
add a comment
Transcendence over death is one of the oldest themes in literature. Ancient texts dating back thousands of years before the common age and through today’s bestsellers are filled with the heroic and the hopeless attempts at man to become immortal. Whether pulpits for religious moralism, memoirs of mystical sojourns, everlasting love stories, or pure adrenaline-pumping adventure, immortality prevails as one of the most enduring themes of great literature. This is our topic of discussion this week in #litchat.
On Friday, October 14, Alma Katsu joins us as guest host. Her debut novel, The Taker, draws on themes of immortality and eternal love through a 200-year cycle of history beginning in the early 19th century until the present day.
When Lanny, hopelessly in love with Jonathan, a man as beautiful as the sun and no less attainable, is exiled to Boston from her small Puritan hometown in Maine, she falls in with the sinister Adair who promises Lanny a means to capture her heart’s desire for eternity. Enduring unspeakable cruelty through the sadistic Adair, the glorious love she’d hoped for with Jonathan is cursed from the beginning. The novel begins in the E.R. of a small Maine hospital, where a weary Lanny is examined by Dr. Luke Findley before sheriffs can take her in for her confession to the murder of a man we learn is Jonathan.
Alma Katsu likes to write stories that pull the reader through a journey that is sweeping in scope, a little dark and a little magical. The Taker, her debut novel, has been described as “an epic supernatural love story” at the crossroads of literary and historical with, as promised, a supernatural twist. She lives in the Washington, DC area, has a MA in fiction from Johns Hopkins University, once studied with John Irving, and counts fairy tales among her greatest influences.
Follow Alma Katsu on Twitter: @almakatsu





